Magic and the Photograph
It was widely reported in the press (15 September 1997) that a British tourist, who stole a lump of stone from the base of the Great Pyramid five years earlier, returned it to the Cairo Museum with a letter saying that 'it had brought him bad luck ever since'. The Museum authorities were not surprised; several such items had been returned by people who felt cursed {When the Luxor Casino was built in Las Vegas it moved on its foundation so the elevators had a lot of re-engineering to be done, while I lived in Las Vegas. The death toll during its construction was nine. Do you think a religious and spiritual force knows when it is being improperly sullied?} after stealing them. A good reason for caution is the largely bogus story of an Egyptian coffin lid - or fragment of a coffin lid. It was told to Arthur Weigall, author of 'Tutankhamen' (1923) by its one-time owner, Mr. Douglas Murray who purchased the coffin some time in the 1860s: 'no sooner had he done so than he lost his arm, owing to the explosion of his gun. The ship in which the coffin was sent home was wrecked, and so was the cab in which it was driven from the docks; the house in which it was deposited was burnt down; and the photographer who made a picture of it shot himself. A lady who had some connection with it suffered great family losses, and was wrecked at sea shortly afterwards...The list of accidents and misfortunes charged to the spirit which is connected with this coffin is now of enormous length. The presence of an Egyptian mummy on board is sometimes blamed for the loss of the 'Titanic'. It was said to have been shipped to New York on the supposedly unsinkable liner. Its coffin, no.22542 in the British Museum, is associated with the curse, and Museum authorities caution people who propose to photograph it." (2) Negative self-fulfilling expectations are a difficult thing for people to deal with in conjunction with the sorcerers' art. This is the concept of the 'War Bottle' that turns your idiosyncrasies into more unbalanced certitudes that makes a strength become a fatal weakness. It is also the nature of energy that caused a large number of early North American Indians to forego the vanity of having their picture taken. Some of them listened to their wise men talk of the soul being frozen in the minds of those who would see the picture, and thus their spirit would not grow with them. There certainly is truth to the fact that our thoughts impact others. Our thoughts are energy and the thoughts of many people who thought negatively about the 'stupid savages' may have had just the impact the shamans and witch-doctors were certain would happen. The curse of humanity is that our soulful energy deceives our ego into thinking we are powerful. The ego doesn't understand. 'WE' is not 'me'! CANDLE MAGIC: Reversing candles are a great thing to protect yourself from the intent of people sending negative energy at you, but talismans and mandalas galore have been most reliable for the minor flare-ups. The cross is a mandala with four entry points for the assimilation of the four primary forces to become balanced at the 'center'. What you choose for faith in your goodness has much to do with your actual protection. In many ways a ritualistic process opens you through your own energy to the very things you project. This is true in the macrocosm of humanity as well as in the insipid little parcels of power-mongering flesh that think they deserve more than the numerous other life forms that have soul and ethics. One person (or persons) sought to make me suffer and there were some disturbing physical responses. The individuals involved were gay and they had hit on me numerous times. My response was a joke or a simple 'not my style'. One of them was in charge of three covens of witches and fancied himself the meanest 'SOB' in the Las Vegas Valley. He had a lot of good knowledge about Biblical origins and history and I enjoyed talking with him. The more he tried to impress me the less he succeeded. I made it clear I did not fear him or anything. The day my penis started to bleed was when I actually thought I might need more than my usual 'mirror and cross' visualization. I used a reversing candle and within a day the place where Lord Gandolph holed up when he was in Las Vegas was burned. His boyfriend (who had enjoyed my leather pants and boots) lost all of his belongings. This caused me to leave the teaching of the Wiccans after six months of 'Perfect Love, and Perfect Trust'! About a year later I discovered the high priestess had thought I was a 'Machiavellian Prince sent to overturn her Temple' and Lord Gandolf was one of her Temple Elders. There are many actual reasons why I know such things occur and I will relate them as it seems pertinent from time to time. The pursuit of 'siddhis' (powers) is a quest that robs one of their actual potential according to Alcyon who rejected his Messiahhood at the age of eight; later he became honoured even more for his truth. You may have seen or heard about this great man who recently left our physical place of reference - his name is Jiddhu Krishnamurti. Author of Diverse Druids
Columnist for The ES Press Magazine
Guest 'expert' at World-Mysteries.com
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RELATED ARTICLES
Digital Camera Basics
Digital Camera Basics? The Vocabulary
Light and Depth of Field
With such a fantastic device as the digital camera for the recreation of magic in arts, a lot of care needs to be taken so as to maintain the perfection of the end product. This perfection is not only obtained by the artistic feeling of the photographer but also with the intricate knowledge of every minute aspect of the medium of creation of art (in this case the digital camera). And these minute aspects play a vast role in defining the ultimate perfection. The digital camera, light and depth of field are one such factor that would come into light in this subsequent discussion. Basically, the depth of field is a measurement of the acceptable sharpness. Yet this is very strictly a personal preference, and varies from person to person.
Magic and the Photograph
It was widely reported in the press (15 September 1997) that a British tourist, who stole a lump of stone from the base of the Great Pyramid five years earlier, returned it to the Cairo Museum with a letter saying that 'it had brought him bad luck ever since'. The Museum authorities were not surprised; several such items had been returned by people who felt cursed {When the Luxor Casino was built in Las Vegas it moved on its foundation so the elevators had a lot of re-engineering to be done, while I lived in Las Vegas. The death toll during its construction was nine. Do you think a religious and spiritual force knows when it is being improperly sullied?} after stealing them. A good reason for caution is the largely bogus story of an Egyptian coffin lid - or fragment of a coffin lid. It was told to Arthur Weigall, author of 'Tutankhamen' (1923) by its one-time owner, Mr. Douglas Murray who purchased the coffin some time in the 1860s: 'no sooner had he done so than he lost his arm, owing to the explosion of his gun. The ship in which the coffin was sent home was wrecked, and so was the cab in which it was driven from the docks; the house in which it was deposited was burnt down; and the photographer who made a picture of it shot himself. A lady who had some connection with it suffered great family losses, and was wrecked at sea shortly afterwards...The list of accidents and misfortunes charged to the spirit which is connected with this coffin is now of enormous length.
How To Avoid Or Reduce Red-Eye
Photography with the aid of a digital camera is beyond doubt very fascinating. However, it also has many a nooks that the users of the digital camera must be aware of and also must be well educated to deal with in order to produce good photographs worth the most prized digital camera. Such a concept is that of the red eye! In order to understand what this red eye actually is, a little detailed introspection is necessary. Basically speaking red-eye is a function of at least three things, they are firstly, ambient level of light because stumpy light level causes the retina of the person to be photographed to open wider to admit more light thereby divulging open the iris, which is the primary part that reflects the red light hence giving the appearance of red eyes for the subjects. Also secondly the younger the person being photographed the wider remains the retina and hence the greater the effect of red eye in the picture. Thirdly, the reflection angle of the flash plays a vital role, as the light is recoiled back to the digital camera and the closer the incident light beam is to this reflected light beam, the greater becomes the red eye effect. To prevent this instruments such as flash brackets are useful to make the flash a bit removed from the propinquity of the lens. Thus the red eye effect is somewhat revealed till this part of this discussion. Now is the time to look into a greater detail in order to analyze the various aspects of the red eye effect and also find out ways of reducing the problem as far as possible.
Diffusion & Softening of Digital Photography Images
Like many people who've made the switch from film cameras to digital,
I've discovered that the lens tools I once used so effectively on my
cameras to soften, diffuse and vignette my images for quality "finished"
professional results won't do for digital what they did for film.
Photo Equipment Lists
You arrive at your photo shoot excited about the images you are about
to take ? that is, until you realize that you have left an important piece of
equipment at home. You now will have to improvise, spend extra money
or time to replace the item, or go without it for the shot.
Disposable Cameras for Weddings
Disposable wedding cameras (also called single-use cameras) will never replace a professional photographer, of course. But they could save money on the overall photo budget, provide memorable fun for you and your guests, and occasionally turn up a priceless casual shot.
Tiny Cameras, Big Pictures and Make Your Photos Great!
The path to picking a digital camera usually leads to a fork in the road. On one side is the small camera that's convenient to carry but doesn't take the sharpest pictures; on the other, a camera that crisply catches all the details and color but is comparatively bulky. Sometimes it's our fault that our photos didn't work out; we didn't notice distracting, extraneous objects in the image or forgot to ask for a certain pose. Sometimes it's the camera's fault; as impressive as many of today's cameras are, they're not perfect. And sometimes it's no one's fault; some lighting situations are just plain impossible to control.
Why 1.5 Megapixels is Enough
Dots Per Inch is a useful measure of relative resolution. But if you don't know the image size in inches or some other measure of size, then the amount of dots per inch doesn't mean much. That's why DPI is used in conjunction with scanner Specifications, because you know that the size is going to be 3.8 by 1.7 inches!
Basics of Photography
Understanding light is one of the very basic principles of learning to be a photographer. When you have a group of people in front of you with smiling faces ready for you to say 'cheese' or if you are taking a shot of a scenic area, the most important consideration is the light factor. Light controls the type of exposure and therefore the quality of the photo is dependent on the quality of the light on your subject and the amount of light that impacts on the film or digital sensor when you click. Controlling the amount of light is a good pre-occupation in the mind of a photographer keen to get a good shot. It should be one of the key considerations.
The word 'exposure' is a very important word in the lexicon of both amateur and professional photographers and is based on the understanding of light in creating good photographs.
--If there is too much light, the photo will look overly bright and over exposed.
--A happy group of people will not look as vibrant if there was inadequate light when you took the picture.
--Bright sunlight can create shadows under the eyes.
--Poor lighting may not bring out the colors in the scene to maximum effect
There are a few basics that you can apply to circumvent poor picture quality due to unfavorable light conditions:
--Change the position from which you take the shot
--Change the light if clicking indoors
--Use the flash
The use of the flash can be a boon when you operate in different light conditions. If you have an overcast sky, the flash in your camera will serve the purpose of letting some light into the image that you are trying to capture and brightening it up. The flash also works to your advantage when your subject is not too close but slightly away from you. But you have to check the 'flash range' of your camera in your manual. The flash works best when your subject is within a recommended range that is usually at least 4 ft and generally not more than 10 ft.
Most simple cameras have an automatic flash. Slightly better models will have settings for fill-flash. The concept of fill flash revolves around filling light in areas of a picture that may turn out dark or shadowed. Fill-flash has the ability to balance the amount of light on different parts of a subject to ensure that the exposure is adequately bright. For instance, a portion of a person's face may appear shadowed and the fill-flash setting can help iron out this problem.
The angle of light is another important consideration. You have to pay attention to the direction from which light falls on your subject and there are several approaches in manipulating the angle of light to improve the visual appeal of a picture.
Sideways lighting: Light from the side is used to creates depth in the picture and is considered one of the best ways to use light if you are taking a portrait photograph.
Light from the top: This is a method used to brighten up most of the scene but does not work as well when you take a photograph of a person. It tends to create shadows on the lower half of the face when the lighting is high.
Light from behind your subject: This strategy is sometimes used by photographers to amplify the impact of the picture. It can create a halo like effect; it can add artistic shadows and can also create a striking contrast between the subject and the background if used effectively. When you use a 'back light' it is recommended that the fill-flash settings on your camera are also adjusted in order to avoid shadows in your photograph.
The second issue in photography is the aesthetics of the picture. Aesthetics is the creativity and attention to detail that you bring to your photograph. It is the most interesting part of photography since it is almost like a visual equivalent of composing a poem or writing a story. Aesthetics requires the use of visual skills to compose and deliver a pleasing, eye-catching and captivating image. It is a type of vision that you have for your photograph in terms of look and appeal.
Aesthetics requires a good eye for detail. The following factors have to borne in mind in creating an aesthetically appealing photograph:
Background
--Periphery
--Distance from subject
--Changing the direction of your camera based on picture dimensions
--Objects impinging on the picture
--Avoiding too many elements
Each of these factors that go into aesthetics are described and explained below-
-->Background
The background in a photograph requires much consideration. It influences the manner in which your subject is portrayed in the photograph. Depending on your choice of background, your subject will be shown to effect or may be overshadowed. The background also makes the difference between a boring and an interesting photograph. The colors, the type of background and the context add to the vibrancy of the photo.
-->Perphery
A common problem among beginners in photography is not paying attention to whether the image is being captured fully. When you view your subject through the viewfinder, you may think you have clicked a person from head to shoulder or from head to toe in a full shot. But when the actual photograph is processed, the top of your subject's head or part of the hair may be missing! Or, if you did not center your subject when you composed the shot through your viewfinder, a part of the shoulder or hand may be lost into the edges of the photo. You need to concentrate when you view your subject through your camera before you click, in order to get the picture exactly the way you want it.
-->Distance from Subject
The distance from a subject is another critical aspect in getting a good picture. You want to see facial expression, not a mass of faces when you take a photograph. To do this, you have to be at a suitable close distance from your subject. On the other hand, when you click pictures of a campus, the distance that you click from can give you a wide view and take in a lot more of the scene. To take close up pictures of flowers or crystal or any decorative item, you have to move into close range and use suitable lenses to achieve the right magnification.
-->Changing the Direction of Your Camera Based on the Picture
Many a time you may not be able to capture the subject in it's entirety in the conventional horizontal position in which the camera is usually held. You can easily change the direction. Hold the camera vertically and then view your subject. You will be able to capture more of a longish subject like a tall monument, a full-length picture of a child, and so on.
-->Objects Impinging on the Picture
At times there are certain objects in a scene that seem to almost invade into the picture. For instance, if you take a picture of a group of your friends on a street, chances are that a street sign may gain prominence in the photograph unbidden and may seem to sprout out of the head of one of your friends in the photograph. Or the light fixtures in your living room may find a place in the picture and appear in the form an unseemly blob in your photo. And the tough part is, when you take the shot you may not be aware of this because the eye is focused on the people in the picture.
-->Avoiding Too Many Elements
A picture cluttered with too many objects may detract from the actual subject. For instance, a wide view of a room in which your subject is sitting may create a photo in which too many objects vie for attention. If the person in the picture is your main target then narrow down and concentrate mostly on clicking the subject. While a good background adds value to a picture, too much paraphernalia could take the attention away from the main subject. Your picture may be focused and the lighting may be good but there is so much going on in the picture that it becomes aesthetically lacking and maybe even a little jarring.
Besides Light and Aesthetics, the third issue in photography basics refers to 'focusing' the picture. Getting the right focus is the difference between a blurred image and a sharp image. If you have an auto focus camera, the camera will do the job for you. This is available in most basic models. You can also achieve focus manually in other cameras using the mechanism to adjust the focus and to lock the focus on the subject before you click.
To achieve the right focus, it is important to decide on the artistic elements of the final picture. There are areas of a scene that you may want sharper and clearer. For instance, when you photograph a famous monument, you may want the building as well as the blue sky against which it is silhouetted to be crystal clear. If you are photographing a camel in a desert, you might want the camel to be clear and a slightly hazy/blurred effect of the surrounding sand. If you are taking a shot of a room containing a priceless vase, when you look through your viewfinder, you want the finer details of the intricate patterns on the vase to be clearer than other objects in its vicinity. So, it's also a question of the portion or key part of your picture your focus is really on.
This area that you identify for your focus is referred to as the 'depth of field'. You can lock the focus on the depth of field that you choose. You can control the focus and depth of field depending on your objectives for different shots.
The basics of photography are better applied when you put into perspective the capabilities of the camera model that you use or plan to purchase. Simple point and shoot cameras require minimal knowledge in operating them. They are easy to use and have the bare minimum controls. The user has to just compose and aim the shot on the subject and presses the shutter button. 'Click' and the job is done. The camera handles its functions automatically.
For those of you who want to work with a slightly more sophisticated camera, you have the option of a Single Lens Reflex camera popularly called the SLR system. This type of camera is available in both 35mm film format as well as digital format. Digital cameras have no film but the image is captured on an image sensor and stored in photo memory. Digital cameras in general provide superior picture quality. The internal system of the SLR camera is made up of angled prisms and mirrors that actually work like a lens when you click. But you have a few things to learn about this camera system before you can achieve better light exposure, sharpness and good focus. While it is imperative that you study the instruction manual of your SLR camera system thoroughly to understand the features and functioning, given here are some of the features and a brief explanation on how these features can help you in achieving the right exposure.
-->Additional Lenses for Close Up Shots
An additional feature in an SLR camera that makes it far superior to a simple 'point and shoot' camera is the ability to use add-on lenses. When you attempt to take a close up shot of objects in nature like a flower or a butterfly, you might want a very high level of clarity. You can add power to your camera by attaching an additional lens onto your camera lens for greater magnification of your subject. These supplementary lenses are available at reasonable prices in different powers like +2, +3 and so on.
You can also look for a model with an optical zoom lens that gives you the flexibility of variable focal length and a range of lens options within a single zoom lens.
-->Shutter Speed
The shutter in your camera lets light in during a shot and keeps light out at other times. When the shutter opens for an exposure, light is allowed to impact on the film or image sensor. If you set a slow shutter speed, more light impacts on the sensor and affects the type of exposure. When you use a faster shutter speeds your picture is sharper and clearer. There is a maximum shutter speed that is available to you in your camera system. The shutter speed is set at a fraction of a second- for instance, 1/1000th of a second. It could also be 1/2000th or even the much-preferred higher speed of 1/4000th of a second that is available in certain models. Professional use models boast of even higher shutter speed of 1/6000th or 1/8000th of a second. If you want to freeze action such as in sports, you require fast shutter speeds.
There are many more features that when used effectively can add value to the impact of your photographs. Most 35mm SLR cameras have a TTL viewfinder. TTL stands for 'through the lens' metering system. This device has the ability to measure (on a scale) the amount of light impacting the film. Using this device is the key to control the exposure and get the right amount of light in order to capture a proper image. You can also use a tripod with your SLR camera. A tripod is your answer to achieving the right exposure in a close up shot and in low light conditions. It holds the camera steady, helps in focusing and ensures a sharper picture even when shutter speed is slow.
The guidelines discussed here on the basics of photography and the additional features of the SLR system, will not only get you started but also help you avoid the common mistakes that many budding photographers make. Study your manual thoroughly for insights and ideas. Learning photography requires patience and the ability to constantly experiment and teach yourself through a process of trial and error.
Extreme Digital Photography: Beyond Point-and-shoot
When my old Olympus digital camera got broke while caving during a family camping trip, I had mixed feelings. For quite some time I had felt that the quality of some of my pictures was hampered by the limitations of that camera, but I did not look forward to spending the money on a new one.
HP Digital Cameras - History and Beyond
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How to Take Better Photos of Your Baby or Toddler
Every Mom wants to take great photos of their babies and toddlers. We all want professional looking photos for our children without paying a fortune! This better baby photo article will help you take the best photos you can and you don't even have to own an expensive camera.
7 Things You Must Do If You Want To Make That Perfect Camera Shot
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History of the Camera
Early cameras of the 16th and 17th century were able to project images onto paper or glass but the study of capturing, processing and printing the images took many more years. Up until the 17th century, scientists believed that light was composed basically of the 'white' that is perceived by the human eye. It took the research done by famous physicist Isaac Newton to discover that light is actually composed of a spectrum of colors. While he made a big contribution to the study of optics (that is at the core of camera advances) with this discovery, Newton did not actually have anything to do with camera development per se.
Transfer The Digital Camera Images To Your Computer
There are a few very important tasks associated with using the digital camera. The most important is of course capturing a beautiful photograph. The next most important task is that of transferring this image somewhere from where it can be printed. The most suitable place is hence the computer. Now, here comes another area of importance that needs to be analyzed and sufficient knowledge is required to be imparted to the users to make ample use of such an important feature. This discussion is thus generally focused upon this mechanism to transfer the digital camera images to the computer, and the various types of such a transfer. Looking from a very simple point of view, there are two methods for transferring the digital camera images to the computer; they are firstly by attaching the digital camera directly to the computer (a process that is popularly called tethering) and secondly by the use of a memory card reader.
The Benefits of Disposable Cameras
Disposable cameras are cheap and easy to use. If you just want to take some snapshots and have fun then this is the camera for you. You can buy them in bulk for weddings and other special occasions. You can even take some of them underwater. Whether you take them snorkeling or to a messy kid's birthday party, you won't have to worry about ruining your expensive equipment.
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